I’m not a fan of Shark films. There’s nothing particularly wrong with them — they’re just not for me. I find them quite boring and predictable, the sort of qualities I much prefer to be in my beloved slasher flicks. I watched The Requin (which means “shark” in French) purely because of Alicia Silverstone, but she delivered what…
Film
Review: ‘The Fallout’ is an Intimate Character Study of Life After Trauma
The opening of Megan Park’s feature-length directorial debut, The Fallout, which follows the aftermath of a school shooting, felt reminiscent of 2018’s Vox Lux, in that abrupt gunfire suddenly destroys what began as a normal day. Unlike Vox Lux, however, we don’t see anything, we just hear it. It’s an inciting incident that won’t sit well with everyone,…
Legally Blonde at 20
Legally Blonde was released in the US on July 13th, 2001, and in the UK on October 26th, 2001. Even after 20 years, Legally Blonde’s feminist legacy still perseveres in empowering women by dismantling the blonde stereotype through a strong female character. In 2017, Reese Witherspoon told the Wall Street Journal, “At least once a week I have…
What is the Real Message Behind ‘I Care A Lot’?
Contains Spoilers for I Care A Lot. J. Blakeson’s third feature film, I Care a Lot, follows the life and crimes of Marla Grayson (Rosamund Pike) — a sociopathic con artist who makes her living ripping off old people. It’s an intriguing focus for a film, but one that makes us ask “what’s the real message…
Review: Happiest Season
Christmas is a time for love, family, warmth… and this Letterboxd list of Christmas films featuring heterosexual couples wearing red and green. While the list plays for laughs, it highlights how manufactured straight Christmas films are and how inundated audiences have become with them. LGBT stories that take place over the holidays are few and far between,…
LFF Review: Wildfire
In memory of Nika McGuigan. Set on the fractious Irish border, Cathy Brady establishes the tone of her feature-length debut, Wildfire, by opening with archival footage of the conflict and terrorism linked to The Troubles, and more recently, the divide caused by Brexit. The social and political unrest simmers in the background of the film’s main story,…
LFF Review: A Love Story
In Jennifer Sheridan’s original debut feature, Rose: A Love Story, husband Sam (screenwriter Matt Stokoe) and wife Rose (Sophie Rundle) live a secluded life together in England’s snowy woods. Sam spends his days in the freezing cold gathering wood, setting rabbit traps, and looking after them both, whereas Rose stays inside writing novels, on a typewriter…
Review: Dead Dicks
After receiving a series of panicked messages from her older brother Richie (Heston Horwin), young nursing student Becca (Jillian Harris) rushes over to his apartment to check on him. When she gets there, her worst fears come true: she finds Richie’s dead body after a successful suicide attempt. While she’s in distress, Richie suddenly appears,…
20 Years of Cheers: The Legacy of Bring It On
At its surface, Bring It On is a fun teen rom-com about cheerleading that perfectly sets up its tongue-in-cheek tone with its opening dream sequence. Featuring the “I’m sexy, I’m cute, I’m popular to boot” cheer, it pokes fun at how people typically view cheerleading as nothing more than a bitchy popularity contest, but the film also shines…
Review: Yes, God, Yes
Most teenage sexual awakenings explored in cinema are told through the male lens, but Yes, God, Yes not only explores this through the female lens, but through a religious one as well. Loosely based on writer-director Karen Maine’s experience growing up Catholic in the Midwest, the film follows 16-year-old Alice (Natalie Dyer) as she begins to explore…