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Review: ‘Umma’ Has Compelling Ideas but Falls Short Due to a Restrained and Disjointed Script

Apr. 11, 2022 / Film+ Reviews

Korean immigrant Amanda (Sandra Oh) and her homeschooled daughter Chrissy (Atypical’s Fivel Stewart) live a quiet life on a rural farm beekeeping and selling honey. They live without modern technology as Amanda claims to be “allergic” to electricity, and therefore rely on local shop owner and friend Danny (Dermot Mulroney) to sell their honey. Amanda is…

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Review: ‘Night’s End’ is Saved by An Entertaining Final Act

Mar. 29, 2022 / Film+ Reviews

Night’s End, the latest from Jennifer Reeder (Knives and Skin), written by American playwright Brett Neveu, follows Ken Barber (Geno Walker), a divorced dad suffering from anxiety and agoraphobia, who finds himself in a haunted apartment. The first act builds a picture of Ken’s life, including his daily routine: he wakes up counting backwards from 10…

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Review: ‘The Requin’ Loses Human Story of Survival Message to Laughably Bad CG Sharks

Feb. 10, 2022 / Film+ Reviews

I’m not a fan of Shark films. There’s nothing particularly wrong with them — they’re just not for me. I find them quite boring and predictable, the sort of qualities I much prefer to be in my beloved slasher flicks. I watched The Requin (which means “shark” in French) purely because of Alicia Silverstone, but she delivered what…

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LFF Review: A Love Story

Nov. 02, 2020 / Festivals+ Film+ Reviews

In Jennifer Sheridan’s original debut feature, Rose: A Love Story, husband Sam (screenwriter Matt Stokoe) and wife Rose (Sophie Rundle) live a secluded life together in England’s snowy woods. Sam spends his days in the freezing cold gathering wood, setting rabbit traps, and looking after them both, whereas Rose stays inside writing novels, on a typewriter…

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Review: The Haunting of Bly Manor

Oct. 11, 2020 / Reviews+ Television

Mike Flanagan’s The Haunting of Hill House, based on Shirley Jackson’s novel of the same name, was an absolute masterclass in emotive storytelling, story adaptation, and filmmaking. This time, Flanagan continues to reinvent great stories of the past as the second installment of The Haunting explores Henry James’ “The Turn of the Screw”. The Haunting of Bly…

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Review: Dead Dicks

Aug. 28, 2020 / Film+ Reviews

After receiving a series of panicked messages from her older brother Richie (Heston Horwin), young nursing student Becca (Jillian Harris) rushes over to his apartment to check on him. When she gets there, her worst fears come true: she finds Richie’s dead body after a successful suicide attempt. While she’s in distress, Richie suddenly appears,…

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I Am Legend: Becoming the Villain in a Vampiric Dystopia

Jul. 28, 2020 / Essays+ Film

Across the world, life as we know it has changed: we’re living in a real-life dystopia due to a novel strain of the coronavirus. With so many people in lockdown around the globe, people have been influenced to seek out films that explore similar circumstances. Unsurprisingly, the most popular is Contagion, a film about an airborne…

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Film Review: The Grudge (2020)

Feb. 18, 2020 / Film+ Reviews

J-horror had a huge impact on Western cinema in the late 90s, thanks to Ringu (1998), which led to a lot of American remakes. Takashi Shimizu remade his own film, Ju-On: The Grudge (2002), for an American audience in 2004 starring Sarah Michelle Gellar. There have been two sequels to this so far, but producer Sam Rami and director…

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‘Starfish’ Review: A Visually Stunning Debut Exploring Grief

May. 28, 2019 / Film+ Reviews

“For the end of the world, press play.” A.T. White’s debut feature Starfish follows Aubrey (Virginia Gardner), whose reality begins fraying at the edges as she struggles with the death of her best friend, Grace (Christina Masterson). The film opens at Grace’s funeral and her gravestone reads ‘Always Right,‘ which is the first insight we get into…

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Film Review: Shrew’s Nest (2014)

Dec. 18, 2016 / Film+ Reviews

While browsing on Shudder, I came across Shrew’s Nest (2014); a Spanish horror and thriller set sometime in the 1950s. It revolves around Montse (Macarena Gómez), a highly religious and agoraphobic woman who spent her youth raising her younger sister, who is simply referred to as “the girl” (Nadia de Santiago), as their mother died during her birth…

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