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Review: ‘The Requin’ Loses Human Story of Survival Message to Laughably Bad CG Sharks

Feb. 10, 2022 / Film+ Reviews

I’m not a fan of Shark films. There’s nothing particularly wrong with them — they’re just not for me. I find them quite boring and predictable, the sort of qualities I much prefer to be in my beloved slasher flicks. I watched The Requin (which means “shark” in French) purely because of Alicia Silverstone, but she delivered what…

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Killing Eve: the Transformation of Eve Polastri

Aug. 31, 2020 / Essays+ Television

Also featured on Medium. Since the beginning, we’ve always wondered whether Killing Eve — the title — means that Villanelle (Jodie Comer) will eventually kill Eve (Sandra Oh) as part of their intoxicating game of cat and mouse. But what if the title isn’t literal and instead possesses a deeper meaning? At its core, Killing Eve is really about…

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Review: Eilsabeth Moss’ Shirley Jackson Walks a Tightrope Between Chaos and Control in ‘Shirley’

Jun. 06, 2020 / Film+ Reviews

This review was adapted into an essay for HorrorWood and published with them on September 18, 2020. Josephine Decker, director of experimental drama Madeline’s Madeleine, explores the life of American horror writer Shirley Jackson in her newest film, Shirley. Jackson, who has written six novels, two memoirs and over 200 short stories, is perhaps best known for ‘We…

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Film Review: Girls Against Boys (2012)

Feb. 06, 2016 / Film+ Reviews

Bad Girls Don’t Cry. They Get Even. Girls Against Boys is unlike any other revenge drama. It touches upon some elements of horror and delivers a few twists which is what makes it stand out from other films that carry a similar premise. It stars Danielle Panabaker as Shae who has a lot of bad experience…

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